violacerario THE CHANGING ROLE IN VIOLA/CESARIO IN THE one-twelfth NIGHT In Shakespeares Twelfth Night, it is clearly unequivocal that the fluctuation in attitude to the dual intention and stigma and tribulations imposed upon the character of Viola/Cesario ends up in a better understanding of both sexes, and thus, allows Viola to have a better understanding for Orsino. Near the opening of the play, when Viola is adopting her manful identity, she creates another self, manage two masks and may decide to splinter dance one or the other while wavering amongst the two identities in emotion and in character.
She decides to take on this identity because she has more freedom in society in her Cesario mask, which is evident when she is readily accepted by Orsino, whereas, in her female person identity she would not be. Thus, a customary role in society and to the outlooks of others is portrayed. Orsino sees Cesario, as a young sheik retributory starting out in the world, much like himself as ...If you want to get a full essay, give it on our website:
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